A lot has changed in the four years since Ethan Barnett introduced his Ten Tonnes project to the world. He moved out of London and left his record label to go independent – determined to carve out his own path. On his second album Dancing, Alone, Barnett showcases a more matured, content mindset.
It’s safe to expect larger than life instrumentals from a Ten Tonnes record, and this sophomore effort does not disappoint. Lead single ‘Monday Morning’ kicks off proceedings with a stomping rhythm and guitars that fill the room, leading to a chorus that grows into the atmosphere. It sounds massive and has an energy that’s sure to shake off those Monday blues.
This Indie sound is one that rarely misses, but Ethan makes sure to blend these guitar-centric foundations with elements of other genres too. The title track shows off its disco phase with a rhythm that snaps into place, bringing a strong groove to the ears that’s impossible to ignore. While it is rigid in execution, it slips effortlessly into the hips. ‘When It Goes’ eases into frame with a melody that sounds straight out of The Beatles’ Rubber Soul era, and ‘Drowning In The Deep End’ teases us with the slightest of Country vibes to add some lightness to an otherwise heavy track.
While the noisier tracks take the attention on first listen, Ethan also highlights his songwriting skills on the slower cuts too. ‘Lone Star’ is a tune with easy-going acoustic chords and the softest of melodies that sounds wonderfully dreamy. As he croons of heartache and solitude, the song feels like a needed blanket in its cold evening setting.
Dancing, Alone is a solid record that covers all bases. While the title might sound sad, the progression of it feels more like an acceptance. Of being content that sometimes we are dancing alone. Ethan lays out all his emotions and experiences here and delivers it in a way that’s accessible to anybody. It’s great, and a needed step for Ten Tonnes to get past the dreaded sophomore slump.